See other posts in this series: Part 1Â | Part 2 We are going to finish deconstructing THIS contract. (If you haven’t read parts one and two, linked above, you’ll want to start there.) When last we left, my head was
A Bad Publishing Contract Deconstructed, Part 2 – The Ugly Truth
See other posts in the series: Part 1Â | Part 3 Okay, so we’re deconstructing THIS contract from a Maine university site. Apparently, several small start-up publishers have latched on to it and are using it as their “standard” contract for
A Bad Publishing Contract Deconstructed, Part 1
Other parts in the series: Part 2 | Part 3 This is a follow-up to my post the other day, the pop quiz about red flags in publishing contracts. Apparently, several new start-up publishers have stumbled upon this contract and
Pop Quiz: Contracts
Pop Quiz: Which of these are HUGE red flags in a publishing contract? a) Charging for editing. b) “Life of copyright” contract length terms. c) Asking for rights other than ebook and print formats. d) “Net” not clearly specified. e)
WriteYourAssOff.com: Contract Red Flags
I’ve got another post up at the WriteYourAssOff.com blog about contract red flags. Enjoy! Publishing Contracts: Red Flags and Warnings
*dance dance dance!*
That little happy dance is me celebrating dropping the signed contract in the mail to Siren-BookStrand for my latest Tymber Dalton book, “Safe Harbor.” Woot!
Squeeeeeee!!!
It’s not often that dreams come true in life. Today, one of those dreams was dropping not one, but TWO signed publishing contracts into the mail, one for BookStrand, one for Lyrical Press. These two projects are dramatically different (one